| Coordinating Your First EVP Vigil |
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| Written by Karl Sherlock | |
| Friday, 23 January 2009 | |
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If you’re just starting out as a paranormal investigator, or you intend to put together a team in the future, you might benefit from some suggestions to coordinate a successful and effective EVP vigil. Firstly, although they’re often called “EVP vigils,” truthfully they can involve all types of equipment, and the purpose need not be primarily to acquire EVPs. Establish beforehand with your colleagues just how much you would like to achieve by conducting a vigil: What’s sorts of evidence do you hope to acquire? What kind of communication are you looking to establish? How much do you know (or feel you know) about the background of your case, and which background details do you want to emphasize during the vigil? Are there buzzwords, target objects, hot-button issues, or specific behaviors that you intend to use to “bait” activity? Which of your colleagues are involved in any of these? Etc. Secondly, try not to get stuck in a single assumption about who or what you’re interrogating. For instance, if you presume that a child is the source of paranormal activity, but your evidence points to an adult male, you will have wasted your time using childish appeals and using childhood activities as your frame of reference (not to mention an insulting amount of “baby talk”.) Leave some options to switch gears and test the range of possibilities. Thirdly, talk frankly and clearly about where the equipment in the room is, and how it might be identified. A nineteenth century spirit is not necessarily going to know what a K-II meter is, nor understand the concept of a device capturing a voice. Try to explain how “recording” might be a process already familiar to them—digital audio is like a printing press to reproduce sound instead of printed word; a video camera is like a moving picture book that captures sketches of what’s in the room; a tape recorder is like a tiny Victrola. And so on. Encourage them to experiment with the equipment and figure out how to influence it, but reassure them that they can’t do anything to harm it, nor will they be harmed by it (e.g., that the different colored lights are not hot, like flames, and won’t burn them). Explain to them, however, that you won’t necessarily be able to hear or see their responses, and that they shouldn’t think you don’t care if they’re not making themselves understood; reassure them that the recorded evidence will let them hear and perhaps see what you can’t now. Don’t focus too much on just the equipment, either. After all, you’re investigating this location because others have reported activity, and “activity” is another way of saying that an entity has made its presence known. Make use of what entities already know how to do, as well as encourage them to experiment with what they don’t. Ask them to use old-school knocks and taps, to touch people in the room, to change the temperature, etc. One last basic caution to recommend is, don’t make too many assumptions about what you’re trying to communicate with, including the fact that the entity understands it’s dead. Truthfully, we don’t always know that we are dealing with spirits of dead, instead of, say, elemental spirits, parallel universes, time shifts, or something else altogether. Instead of asking, for example, “Do you know you are dead?” you may wish to ask, “Do you know where you are and why?” Even if you strongly suspect that you are dealing with a posthumous soul, calling attention to that—maybe for the first time—comes on a little strong. Be sensitive to the needs of what you can’t see. Now that basics have been covered, let’s review some of the finer points of using equipment and interrogation techniques during a vigil.
Synchronizing and Documenting Whether or not you bring along an audio recording device to do the job, noting the start time of your vigil, the specific location, and the names of all parties present is an indispensable practice. Later, in the post-investigation stage of evidence analysis, it will help you to cross-reference your eyewitness experiences and media evidence, and in the event your group provides outreach to private clients, it will also assist in the report process. Furthermore, faithfully announce any outside or inside noise, any activity that might create a sound that could later be interpreted as anomalous. The most frequent offenders in this are whisperers. Don’t whisper during a vigil; use your normal tone of voice. That way no one will mistake something you said under your breath as an EVP.
Baselines
Equipment Placement Requesting first and last names is good, since if these show up as Class A or B EVPs, they make background checks a tempting possibility. Remember, though, that depending on the era and class to which a “spirit” might belong, you might wish to use phrases like “surname”; “Christian name”; “maiden name”; “family name”; “ancestral name”; and so on. You might also wish to ask if the spirits have titles like “Mrs.” or “Dr.”, “Jr.” and so on. Speech If, through your background research, you’re certain that a specific era is relevant to the investigation, you may wish to express some of your questions in the proper diction of that era, while avoiding slang phrases that are time-bound to your own era and culture. Even words familiar to us in an everyday sense, like “kids” and “awesome,” might be taken for their literal meanings. Find a neutral way to phrase your questions and speak as clearly, but naturally, as you can. Yes/No While it’s believed that short answers are the norm in EVP evidence because they take the least amount or energy to communicate them, you don’t want your questions to evoke only yes/no responses. Starting out this way might help to accustom the “spirit” to the technique, but eventually you’ll want to phrase your questions so that they’re not putting words in the spirit’s mouth. (E.g., Q. “Are you angry?” A. “No.” or “I’m not angry.”) Ask a roster of questions that begin with who, what, where, why, how and when is a simple way to accomplish that. Some examples: What year were you born? How old are you? Where were you raised? Who is the President of the United States? What are your parents’ names? Do you know how to read and write? What sort of work did you do? What’s you’re favorite ________ ? What sort of clothing is fashionable right now? Can you describe yourself? Can you sing or whistle something from one of your favorite songs? Be creative. Try to get into the “mind” of the spirit by imagining they are still alive in their own time and place, and try to get into the psychology of the spirit by considering what concerns, fears, desires, and so on, it might have. Be Casual Sometimes it’s good just to take a break from the Q & A and have a casual, comfortable conversation with your colleagues. In a good many cases, investigators have discovered in the evidence that spirits offer their unsolicited reactions to offhanded remarks. Let them feel like they’re just “hanging out” and participating, rather than feel like they’re in front of a tribunal. Popular cable TV shows depicting “extreme ghost hunting”—a nonsensical attribution from the get-go—sometimes showcase an aggressive style of vigil, called “provocation.” (An excellent and useful article on this topic, “Provoking, or How to Lose Friends and Influence Ghosts in the Paranormal World,” appears elsewhere on this site.) It usually involves foul language and insensitivity over otherwise sensitive issues, both of which are intended to provoke an angry confrontation with a spirit. Though there may be some locations that warrant such a technique—locations with a history of violence and aggression, or hostile entities known to have threatened others, or to manifest only in the presence of aggression—usually provocation is a disrespectful and unwise method. (In fact, if used in a home where the occupants already feel uncomfortable or threatened, provocation could potentially exacerbate the problem by incurring a backlash of hostile acivity.) In short, it has the considerable potential to do more harm than good and, used purely for the “thrill of danger,” it also does a great disservice to the field of paranormal investigating. |
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